I know I have become fascinated,
perhaps obsessed by Stieg Larsson’s Millennium Trilogy. Today I read with great interest
The Telegraph’s article by Lasse Winkler [editor-in-chief of the Swedish book trade magazine Svensk Bokhandel] when he met with Larsson and discussed his [then] unpublished trilogy in an interview –
It all started one sunny day in late September 2004, on a park bench outside the Gothenburg Book Fair. John-Henri Holmberg, a Swedish publisher, sat down next to me and told me about three manuscripts he had just read, written by a friend of his named Stieg Larsson. They would, he said, make their author the most famous Swedish writer in the world, “bigger than Henning Mankell”.
At that time, Mankell had conquered almost every market around the world, achieving international sales of around 20 million copies. Larsson, who was then working as an editor on an anti-racism magazine called Expo, hadn’t published a single word of fiction.
If it had come from anyone else, I would have laughed off Holmberg’s claim as a piece of far-fetched fantasy. But my faith in his judgment, and the fact that this Larsson character had waited until he had three manuscripts ready before even approaching a publisher, intrigued me. So the next day, I called Larsson and asked if he would let me interview him.
A few weeks later, on October 27 2004, we met in the Stockholm offices of Expo. The fading light of day seeped into a room furnished with a simple table, two plain chairs and a lamp. Larsson, a 50-year-old chain smoker, looked exhausted. After his death, much would be written about his indefatigable work rate, his superhuman capacity to write for hours without a break. It was clearly taking its toll. The only known fruits of his labour were, at that time, his exposés of racist and fascist organisations for Expo, a publication he had helped set up in 1995 in the wake of a spate of neo-Nazi murders. This work had drawn him into the public eye and provoked death threats.
Larsson lived with his long-term partner, Eva Gabrielsson, but his name was not on the doorbell of their flat and his address was not listed in any records or databases. The couple had several established routines whenever they left home: sometimes they would leave by the front door; at other times, they went out the back, via the basement. Larsson had a habit of glancing over his shoulder frequently, as if to check if anyone was following him.
Not long before our meeting, the police had informed him that photographs of him and Gabrielsson, as well as information about their address, had been found in connection with a murder investigation they were conducting in Stockholm.
Word is getting out, about the prefect gift for the reader in your family. In my case – myself, as the Stieg Larsson Millennium Series Box-Set is a must purchase and beautifully produced. This collectors set from MacLehose / Quercus consists of 4 volumes [slipcased] hardcover versions of The Girl With The Dragon Tattoo, The Girl Who Played with Fire, The Girl Who Kicked The Hornets Nest as well as a fascinating fourth volume of correspondence between Stieg Larsson, and Eva Gedin, the author’s editor at Swedish publisher Norstedts, as well as many other snippets for the Larsson reader, placing the adventures of Salander & Blomkvist into context.
When it comes to Crime Thrillers – it seems that 
I was fortunate to be invited by Christopher MacLehose and Quercus Publishing to a private gathering to celebrate Stieg Larsson’s nomination at the Galaxy Book Awards, which Incidentally 
Posts
