Showing posts with label thriller novels. Show all posts
Showing posts with label thriller novels. Show all posts

Saturday, August 13, 2011

Blunt, Philby, Burgess & Maclean but who the hell is Hanssen?

As a lover of thriller novels, conspiracies and conspiracy theories as well as investigating how the [mainstream] media operate; I consider myself well-read and well-informed, but this week I uncovered a huge gap in my knowledge. This gap proved to me how reality really is [at worst] controlled, or [at best] shaped and edited as a form of ‘control’. In George Orwell’s novels such as ‘Animal Farm’, the mantra “Four legs good, Two legs bad” gets transformed by the ruling elite [‘the pigs’] following the overthrow of the farmer, into “Four legs good, Two legs better” and its related quasi-sequel ‘1984’; where main protagonist Winston Smith works at the Ministry of Truth, effectively re-writing history and changing the past to create a new and secure future for the ruling elite.

I found evidence this week, how true Eric Arthur Blair [aka ‘George Orwell’] was in his observations on the crucial importance of controlling the masses, or at least by influencing the mainstream media, often deploying the magician’s scantily-clad assistant in deflecting the attention of the observer, and therefore validating the statement ‘that perception is reality’ by the use of smoke and mirrors.

I am referring to my viewing on DVD this week of the 2007 film “Breach”, starring Chris Cooper; and my own annoyance about why, and how I’d missed this outstanding film when it was originally released theatrically. Though the most crucial question I pondered on was - why I had never heard of Robert Hanssen ?

This was due to two factors, firstly Cooper’s career-defining performance as Hanssen, showing a most ‘odd, complex and dangerous’ individual. Despite a strong religious leaning toward extreme Catholicism’s Opus Dei and a robust family background, he hid his secret well, so well that one must question his motivation[s], because they, like his dark side were hidden under a cloak of normalcy.

Secondly I discovered that Hanssen was the most treasonous American citizen in US history, who while holding down a top post at the FBI, sold highly classified US secrets to the Soviet regime for over 22 years. The secrets that Hanssen sold to Moscow, resulted in many US ‘Assets / Agents’ being compromised [tortured and murdered] by the Soviet Security Services [KGB]. The issue I had was despite being well-read, and informed [something I pride myself upon]; I am embarrassed to admit, though knowing much about Aldrich Ames, I was for some reason clueless about Hanssen. Could it do with me living in Britain? I had read significantly about the British traitors Blunt, Philby, Burgess & Maclean more commonly referred to as The Cambridge four [or five]. This conspiracy was mined, loosely to great effect in former ex-SIS recruit turned espionage novelist Charles Cumming in his recent ‘The Trinity Six’ novel.

Here’s a trailer for Breach which sets the scene for this hypnotic thriller that looks into the darkest edges of Human Nature -
http://youtu.be/XJuLFKeRoJg

Here’s an interview with Chris Cooper on how he decides on what roles to take on and why -
http://youtu.be/E10PGyiQU7g

Chris Cooper is one of the most under-rated actors I know and I share his interest in geo-politics and his ‘left of left’ political leanings which often influences his choice of acting roles. This profile of him from the 2007 Edinburgh Festival is most insightful –

Cooper studied drama at the University of Missouri, did a couple of years of summer stock, and then moved to New York City, where he had a ball acting on stage for 12 years. In 1983 he married the actress Marianne Leone (best known here as Joanne Moltisanti in The Sopranos), who pushed Cooper into making films and kick-started his fruitful working relationship and close friendship with Sayles. In 1987 Cooper and Leone had a son, Jesse, who was born with cerebral palsy, who died from causes related to the disease two years ago, aged just 17. Jesse’s parents, who now live in Kingston, Massachusetts, set up the Jesse Cooper Foundation and work tirelessly as advocates for children with special needs (to that end Cooper and Leone are currently collaborating on a film about a mother’s relationship with her severely disabled daughter, Hurricane Mary).

From this background sketch you’ll perhaps have gleaned that Cooper, who speaks like a cowboy, conducts himself with the courtesy of a gentleman rancher, and has experienced something of the bohemian life as well as great personal loss, is a world away from the deceitful but otherwise straight-laced FBI man Robert Hanssen. Cooper describes his own politics as ‘left of left’. Sayles, who most recently cast him as a dimwitted politician and thinly-disguised pre-White House George Bush in the political satire Silver City, calls him a news junkie.

‘As soon as I wake up,’ Cooper confirms, ‘I listen to National Public Radio for the early coverage of what’s happening that day, and I’ll take a look at CNN throughout the day. That really kicked in after 9/11.’

Cooper talks confidently and freely about politics and current affairs: ‘I feel pretty confident we’ll get a Democratic administration next time round,’ he says, ‘but what Bush has done to our world needs a lot of patching up.’ And: ‘We’ve spent so much money on this war our bridges are falling down. As far as the infrastructure goes here, healthcare should be dealt with in this next election.’ And: ‘I’m glad to see Mr Brown is not so comfortable with President Bush. I think he takes a stronger stand on things.’

The actor’s 24/7 interest in news and politics is reflected in his choice of films, which are often distinguished by some degree of political edge: the Bourne films with their indictment of the CIA; Sam Mendes’ war-is-idiotic Gulf conflict drama Jarhead; the oil business conspiracy tale Syriana; and the forthcoming Middle East-set murder mystery The Kingdom. And now Breach, of whose real world basis Cooper says: ‘I remember pretty clearly that it was quite a big piece of news. Only after three or four days of media coverage it disappeared. What I’ve since discovered is this turned out to be a real embarrassment for the FBI. I think they got a hold of the media and shut the story down.’

Read More

After watching Cooper’s hypnotic portrayal of Robert Hanssen [which was mesmerizing] and for me career-defining, I dug a little deeper and then found this report from The Central Intelligence Agency [Langley] which provides a fascinating view into America’s most destructive security beach, one that very few truly understand –

Arguably the most damaging spy in US history, Hanssen repeatedly volunteered his services to Moscow’s intelligence services, cloaking his activities in a fictitious persona (Ramon Garcia) and adamantly refusing to reveal to his handlers the identity of his genuine employer. By all accounts, Hanssen was arrogantly confident in his ability to “play the spy game” according to the rules he created and employed. He gambled that he could deceive the FBI and the Russians and avoid being compromised by any US agent that might have penetrated Moscow’s services.

Many vexing questions exist about Hanssen’s rationale for acting as he did for as long as he did. But nothing has been debated as vigorously as the reasons why he was able to elude detection for two decades. Attempts to confer on Hanssen the mythological status of a “master spy” (e.g., CBS’s made-for-television movie Masterspy: The Robert Hanssen Story) are not supported by the facts of the case, and the key question remains: Why did it take so long for the FBI to catch a mole that had operated with impunity within its ranks for such a long period of time?

Breach, a fast-paced movie directed by Billy Ray, attempts to answer some of these perplexing questions. The movie covers only the last six weeks of Hanssen’s two-decade-long espionage career, opening in the late fall of 2000, when Hanssen first came under the investigative microscope. According to David Wise, author of one of the best of several accounts of Hanssen’s life and perfidy, a successful joint CIA-FBI initiative obtained a package containing a portion of an operational file pertaining to a mole deeply embedded in the US counterintelligence community.
[2] In addition to the file, the package contained three other exceptional pieces of evidence: an audio tape containing two brief telephone conversations between the mole and a KGB interlocutor in 1986, copies of letters written by the mole during 1985–88, and two partial fingerprints lifted from a plastic garbage bag the mole had used to wrap a delivery to Moscow. Wise wrote that the purchase price of the package was $7 million.


It did not take the FBI long to piece together the shards of evidence and come to a stunning conclusion: The mole was one of their own special agents. Equally shocking to the FBI was the realization that the person its investigators had firmly believed to be the mole, a senior CIA counterintelligence specialist who had been the object of an extraordinarily invasive counterespionage investigation over the previous five years, was innocent. Despite the absence of evidence, the FBI had convinced CIA officials that it had good reason to believe that one of CIA’s officers had been responsible for compromising more than 50 compartmented FBI operations against the Soviet and Russian intelligence services operating in the United States during the period 1985–2000.
[3]

Read more from The CIA Here

Here’s an interview with Ryan Phillippe who plays Eric O’ Neil FBI undercover agent who was responsible for bringing Hanssen to justice, but ultimately made him re-evaluate the personal cost of living undercover to his personal life.
http://youtu.be/0Vk60jb8yMk

Then I realized why I had not heard anything of significance about the Film ‘Breach’, from what Chris Cooper said –

‘I remember pretty clearly that it was quite a big piece of news. Only after three or four days of media coverage it disappeared. What I’ve since discovered is this turned out to be a real embarrassment for the FBI. I think they got a hold of the media and shut the story down.’

In my opinion ‘Breach’ is one of the greatest political thrillers [together with ‘Syriana’ which also stars Chris Cooper] I’ve seen since the golden age of 1970’s paranoia-cinema, such as ‘Three Days of the Condor’ based on James Grady’s novel ‘Six Days of the Condor’, The Parallax View, Richard Condon’s hugely influential novels that were filmed as Winter Kills and ‘The Manchurian Candidate’, or Alan J. Pakula’s ‘The Parallax View’ – though ‘Breach’ like ‘All The President’s Men’ is based on reality, not conjecture or conspiracy theory.

The discovery this week [for me], of ‘Breach’ and then further research on the whole Robert Hanssen affair distracted me from the dreadful civil disturbances and riots that have peppered many cities and towns in the UK, and which started in North London.

A surreal thought did occur to me for a thriller novella, and one that would be interesting for me to write, and these are the scribbles from my notebook which act as a synopsis –

I Predict a Riot

The world is on the brink of an economic and financial crisis. A lack of an understanding of human nature led to the fall of communism in the 1980’s, and now the ‘endless growth paradigm’ in a world of finite resources, [coupled to the self-same lack of understanding vis-à-vis human nature] is pushing capitalism toward the same path – collapse. To distract the ‘general public’ from the apocalyptic anxieties of the Euro-Crisis and the American Debt-Crisis, and their own problems [unemployment and rising commodity prices] a plan is hatched by ‘the-men-behind-the curtain’. Much frantic work is required behind the scenes [without public introspection as to the reality of the situation], to shore up the economy, so a distraction is created. A small cabal of espionage operatives are dispersed [in ‘hoodies’ and ‘gangster rap’ garb] in an operation across UK cities to spark / incite ‘small to medium scale’ civil disorder, which taps into the “under-classes / economically disadvantaged” and “criminals / gangs” who mount ‘copy-cat’ attacks as looting and rioting spreads in English inner-cities, with the police under instructions to take a ‘softly, softly’ approach. ‘Social Media’ is harnessed to encourage and fan the flames of disorder. The world media focus its fish-eye lens onto the British riots, thus keeping the real news, the economic crisis away from the centre of the camera. The ‘men-behind-the curtain’ can now work away with reduced public introspection, and the general public and ‘chattering classes’ get distracted from their current problems of unemployment, lack of job security, increased costs of energy, public-sector cutbacks, higher taxation – focusing instead on the moral issues behind these riots, brewing up ‘racism’ as humans always like someone to blame. The public demands use of water canon, rubber bullets, harsh punishments for the looters, clamp downs and restrictions on ‘social media’, even ‘hanging’ and agrees that we must give up more of our civil liberties, and freedoms as a cost we have to accept for our own safety. The mission creep toward the fascist society Orwell imagined in 1984 comes closer to reality.

I considered the plot way too far-fetched like this one, or this one, this one, or this one and I have many others, which are too unbelievable to consider that anyone could plan such an outrageous conspiracy, and how the media could be so misdirected, as some allege they were in 1969 when the western world feared the shadow cast by the Russian Space program.

“Four legs good, Two legs better”

If this article has interested you, it would be worth checking out the linkages between Sigmund Freud, Edward Bernays and Wilhelm Reich – because everything is existential until it becomes real, but always remember the close linkages between ‘perception and reality’.

Others think that I read far too many thriller novels than is healthy for the mind, while others consider that it could be because my family originates from the North-East Indian State of Bihar, where Eric Arthur Blair was born in 1903, and Blair is more commonly known as George Orwell, a man I admire since reading his work as a young boy.

Or perhaps the reason why the Robert Hanssen story, like the film ‘Breach’ is not mentioned that much is because of the embarrassment it caused the FBI / CIA and the wider intelligence community, as his traitorous behaviour was uncovered in 2001, months prior to the other huge security breach that occurred on September 11th - another incident that provokes debate with the talk of conspiracy, conspiracy theories, security failures and ‘grassy knolls’.

Friday, March 11, 2011

Electronic Leather

The world of publishing is going through real change both from worsening economic factors, but also the method of delivery, namely moving toward e-Books from Papyrus. As usual our American friends seem to be leading the way with writers such as J A Konrath, David Morrell, Blake Crouch, F Paul Wilson and many others exploring the digital frontier. It seems like a blink of eye when Stephen King released ‘The Plant’ as well as ‘Riding The Bullet’ as ‘electronic experiments’, but now e-Books seem to be a permanent fixture of publishing and as each day elapses, the importance of eBooks becomes stronger and stronger.

It seem that eBook success has reached our side of the Atlantic, as reported in The Guardian / Observer, and it takes a thriller writer to show us the way –

Self-publishing has traditionally been a surefire route to obscurity and dismal sales. Now a British thriller writer who sells his novels as ebooks for as little as 70p is proving the naysayers wrong.

Not only does
Stephen Leather, Britain's leading "independent" writer, estimate he has occupied the number one spot on Amazon.co.uk's Kindle ebook bestseller lists for "90% of the last three months", he is also selling "somewhere in the region" of 2,000 ebooks a day – and making big profits in the process.

Leather, who celebrated his seventh consecutive week at the top of the Amazon chart with his novella The Basement, about a serial killer in New York, also occupies fourth place with Hard Landing, another thriller, and 11th place with Once Bitten, a vampire novel.

He is one of many authors increasingly turning to ebooks as an alternative way to the top. Capitalising on the popularity of
e-readers such as the Kindle, a new generation of writers is bypassing agents and publishers and using the flexible pricing model of ebooks to offer their work directly to the public at rock-bottom prices. Some, like Leather, are achieving huge sales, which, not surprisingly, is striking fear into publishers.

Leather enjoys a successful parallel career writing
"big international thrillers" for Hodder & Stoughton. But last August, when Amazon.co.uk opened its Kindle store, he saw an opportunity: "I was lucky, in that I had three novellas Hodder had turned down because they were in a different genre from my other books and too short to work as conventional paperbacks. But I realised they might work for the Kindle."

Leather realised the Kindle was going to be "pretty much the most popular Christmas present ever. It occurred to me that on Christmas morning, when people got their Kindle, the first thing they would do would be to buy the books they'd always wanted –
The Girl With the Dragon Tattoo, the new Grisham. But they're relatively expensive. After that, people would start looking for cheaper books. I figured that if I could get several of my books in the top 10 or top 20, then when people started looking around for bargains I'd be perfectly placed."
To maximise sales, he priced his books at Amazon's minimum for independent writers – about 70p (the equivalent of 99 cents). At this level, authors receive a cut of only 35% of the price; under Amazon's pricing structure, this rises to 70% if they price their books above the equivalent of $2.99. He then went on various forums to drum up awareness. Within a couple of weeks, all three titles were in the top 20 and
"by November I'd knocked Stieg Larsson off the top spot".

"I knew the wave was going to break on Christmas Day. I got myself in position to take advantage, I got on and I've been riding it ever since."

Yet while he is making significant sums just through ebook sales – "up to £11,000 a month" – he still only sees it as a sideline to his main writing career.
"I never went into this to make money. I went into it as a way of widening my readership. My hope was that readers would read my book on Kindle, say, 'I really enjoyed that', then when my new thriller came out with Hodder, they'd remember it and buy that too."

Leather's achievements are dwarfed when set against the scale of independent publishing in the US, where ebooks are estimated to be 20% of the total market. The most spectacular example of an author striking gold through ebooks is 26-year-old former care assistant
Amanda Hocking, a Minneapolis-based writer of paranormal romances. She had completed eight novels but had failed to acquire an agent when, last April, she decided to publish them herself via the Kindle store.

"I sold 50 books the first month. It picked up over the summer, then really took off in November," she said. Hocking is now the world's bestselling ebook author, selling more than 450,000 titles last month alone.

Read More Here

Monday, February 7, 2011

Shots Ring Out!


With the closure of so many bookstores in the UK and US, pressure on the library systems and a general two-pincer attack from the ‘economy’ and ‘new technology’, publishing is having a very rough time.

The loss of libraries and bricks-and-mortar bookstores will make it harder for authors and publishers to get their works noticed by the public. This will have a terrible effect on literacy, something that worries me as reading helps people ‘think’ and remain informed.

I am therefore very pleased at the hard work, my friend and Shots Editor Mike Stotter with the whole Shots Team have been undertaking, re-vamping the Shots Ezine website. I have particular admiration for our webmasters, Tony ‘Grog’ Roberts, Gary Cane and newcomer Richard Orchard for their hard-work migrating the vast archives to the ‘new site’ and their continual updating.

Shots Blog incidentally is rated No #5 in the top Mystery / Thriller Blogs by Best Colleges Online, special thanks goes to the hard working Ayo Onatade for her continual updates, helping Mike and I out, and keeping you all posted on crime & thriller news.

If you’ve not been to Shots Ezine for a while, it’s worth a click of the mouse, to read the regular columnists Mike Ripley, Peter Guttridge, Mike Carlson, Robin Jarossi and the army of contributors that make the site so exciting.

If you are interested in contributing, or perhaps interested in advertising contact Mike Stotter in the first instance by email : shotseditor@yahoo.co.uk and if you have a news story for our social network coordinator, email Ayo at ayoonatade@yahoo.com

Tuesday, April 21, 2009

US vs. UK Thriller War

As an [associate] member of International Thriller Writers [ITW]; and judge for the ITW [2006, 2007 and reserve for 2008]; like my American colleague, the renowned critic David J Montgomery we have occasionally pondered upon the differences between American and British Thriller novels over beers. I’ve never considered either nation superior to the other in terms of thriller writing, but rather enjoyed the diversity and popularity the thriller genre enjoys.

At least two Thriller Critics [Photo from Thrillerfest 2006 Pheonix, Arizona] - David J Montgomery [US] and Ali Karim [UK] are available for a peace accord, as long as beer is provided.

As a renowned ‘Thriller enthusiast - I was asked to contribute an essay for the ITW ‘100 Best Thriller Novels’ book organised by David Morrell and Hank Wagner as well as writing extensively about Thriller Novels and Espionage Fiction for Barry Forshaw’s Greenwood Encyclopaedia of British Crime Fiction – So while taking a break at yesterday’s opening of The London Book Fair, I noticed a rather odd article in The Bookseller about a trio of British Thriller Writers who founded ‘The Curzon Group’ attacking American Thriller Novels –

Battle lines are being drawn across the Atlantic with the launch of a group designed to “end the reign of the production-line American thriller writers” and return the focus to domestic British authors. Authors Matt Lynn, Martin Baker and Alan Clements, who are respectively published by Headline, Pan Macmillan and Mainstream, are the founder members of the Curzon Group.

Jeffrey Archer will be advising the trio. Curzon’s manifesto specifically attacks American thriller writers—James Patterson, John Grisham and Dan Brown are all in the firing line. The group hopes to spark a debate, through TV chat shows, radio and national news media, about the "fantastic position" British thriller writing had in the past but which has declined in the past decade.

Lynn said: "Too many of the American thrillers are just being churned out to a rigid formula. The great British thrillers of the past had a quirkiness to them, an originality, and a passion for storytelling and writing that is absent from the market right now. All the writers in this group believe in bringing that back."


Archer said: "These were some of the greatest storytellers in the world. The flame has to be kept burning by a new generation."

The trio will draw on the tradition of writers such as The 39 Steps author John Buchan, Alistair MacLean, who wrote The Guns of Navarone, and the man responsible for the James Bond franchise, Ian Fleming, "reviving them for the 21st century".

Read More from The Bookseller

There has always been the old chestnuts of ‘What is a Thriller?’ as well as the ‘Why are Thrillers dominated by Male Writers?’ and now we have this new chestnut. Now healthy debate is useful in promoting literacy as long as it doesn’t get divisive.

‘The Curzon Group’ have also set-up a website to further promote the virtues of British Thriller Writing –

From Wilkie Collins to John Buchan, Eric Ambler to Hammond Innes, Ian Fleming to Alistair MacLean, and from Len Deighton to Frederick Forsyth, the British thriller is one of the richest traditions in world literature.

But in the last decade the British thriller has fallen into a sad decline. The market has been colonised by production line American thriller writers.

The Curzon Group is dedicated to reviving the traditions of Buchan, Fleming, MacLean and Forsyth, bringing the British thriller bursting back to life in the twenty-first century.

Read More from The Curzon Group

I wonder if these three writers attended James Patterson’s key-note address at yesterday’s LBF or if they’ve pre-ordered Dan Brown’s latest?

The cynical side of my nature considers this venture by ‘The Curzon Group’ as a method of promoting their own work; work which I am unfamiliar with. Personally speaking; the Thriller novel is split into many subgenres; and this UK vs. US debate from ‘The Curzon Group’ is a tad too jingoistic for my taste. Diversity is everything.

Incidentally Readers Digest have an interesting article on what they consider are the best of these thriller sub-genres Here and Here. The listing features both British as well as American landmarks of the Thriller Genre. The problem is where does British Born, American thriller writer Lee Child fit?

More Debate from Sarah Weinman here