Friday, February 27, 2009

Larsson's Screen Test

Bloomberg reports that Larsson’s Millennium Trilogy finally makes it to the big screen with huge anticipation thanks in part to the success of the BBC Wallander TV adaptation of the novels of Henning Mankell –

The so-called Millennium trilogy, completed before Larsson succumbed to a heart attack in 2004 at the age of 50, has sold more than 10 million copies worldwide since 2005. The rights to the books, “The Girl With the Dragon Tattoo,” “The Girl Who Played With Fire” and “The Girl Who Kicked the Hornets Nest,” have been sold to 40 countries and are bestsellers in Germany, the U.K. and the U.S.

Mankell still holds the crown as Sweden’s most read crime writer, with his 10 books about the disheveled police officer selling more than
30 million copies globally. They have also sparked a tourism boom in Ystad, which has a population of 17,000. Wallander fans flock to the town to take in the settings of the books.

The local tourism office has a special “
Wallander Package,” offering lodging at one of the hotels featured in the books as well as coffee and dinners at the cafes and restaurants favored by Wallander. Wallander movies shot in the region helped push up tourism revenue by a third in recent years, while the number of daily visitors soared 29 percent to 1.45 million, according to municipality figures.

Interest in the town peaked after the British Broadcasting Corp. filmed three English-language
versions of Mankell’s books there last year, with about 18 million viewers tuning in to watch Branagh as Wallander.

“The marketing we get is invaluable,” said
Marie Holmstroem, spokeswoman for the Ystad Tourism Office. “The industry is booming, companies have been established here because of the filming of the books, and more companies are also coming here to shoot their films.”

The Larsson movie, featuring Swedish actor
Michael Nyqvist in the lead role of reporter Mikael Blomkvist, has almost sold out at the box office. The distribution rights to the film and the two planned television series have been bought by France, Italy and Denmark. The total cost of producing the Larsson movie and 6 television episodes is about 110 million kronor ($11.3 million), according to production company Nordisk Film.

In the first of Larsson’s books, Blomkvist is hired by industry magnate Henrik Vanger to spend a year at the Vanger island and investigate the unsolved disappearance of a girl 40 years ago. In the process, he meets Lisbeth Salander, a data hacker with a troubled history and a dark mind. The Millennium trilogy follows the pair as they face Salander’s past in the coming two books.

Read the full piece from Bloomberg Here

Sunday, February 22, 2009

Mark Billingham on Highsmith's Tom Ripley


A big date for your diaries is next Saturday, as BBC Radio 4 have a special program on Patricia Highsmith’s existential and amoral 'hero' Tom Ripley, which introduces over the next 5 weeks a new serialised adaptation of all Patricia Highsmith's Tom Ripley novels commencing with the hunt for Dickie Greenleaf in 'The Talented Mr. Ripley'

The Complete Ripley – Looking for Ripley
Saturday 28 February
10.30-11.00am [GMT] BBC RADIO 4


As BBC Radio 4 begins a series of new adaptations of the Ripley novels, the crime writer Mark Billingham is on the trail of Patricia Highsmith's hero-psychopath, Tom Ripley.

In the course of his investigation, Mark delves into the shadows as he tracks down those with a real insight into Ripley's ambiguities. Contributors to the programme include: Jonathan Kent; Professor Dinesh Bhugra; and Highsmith's biographer, Andrew Wilson. Extracts from the Ripley novels are read by Ian Hart, who plays Tom Ripley in the drama series which begins this afternoon. Presenter/Mark Billingham, Producer/Erin Riley

The Complete Ripley – The Talented Mr Ripley Ep 1/5
Saturday 28 February
2.30-3.30pm [GMT] BBC RADIO 4


[Liverpudlian actor Ian Hart as] Tom Ripley detests murder, unless it's absolutely necessary. He prefers someone else to do the dirty work. But, if he's called upon to act, there is no one cooler, cleverer or more calculating. BBC Radio 4 brings all five of Patricia Highsmith's Ripley novels together in a new series for Saturday afternoons.

In the first programme, The Talented Mr Ripley, Tom makes a bid for another man's inheritance. He succeeds but the story ends with him looking over his shoulder. Ian Hart stars as Tom Ripley. Other cast starring in this series include: Nicholas Hoult, William Hope, Barbara Barnes, Stephen Hogan, Philip Fox and Tom Brooke. Producers/Claire Grove and Steven Canny

Read More and remember if you miss the show[s] or live outside the UK the show[s] will be archived for at the BBC Radio 4 I-Player site and can be listened to online
BBC Radio 4 at 1430 Hrs GMT each Saturday will be airing all 5 of their adapatations of Patricia Highsmith's Tom Ripley novels - Wonderful, Wonderful, Wonderful - a real treat

Tuesday, February 17, 2009

The Return of Dick

As a long standing Reader of the works of Philip K. Dick I was excited to read that his last [un-finished] novel will see the light of day, as reported by Alison Flood at the Guardian

Philip K Dick's last wife has reworked the novel the legendary science fiction author was working on when he died in 1982.

Tessa Dick, who described her self-publication of
The Owl in Daylight as a tribute to her former husband, was Dick's fifth and final wife, marrying him in 1973.
She told online magazine the Self-Publishing Review that her version of the novel was an attempt to express "the spirit" of Dick's proposed book. Little is known about the novel, which Dick mentioned in a letter to his editor and agent. According to Tessa, the letter revealed plans to "have a great scientist design and build a computer system and then get trapped in its virtual reality. The computer would be so advanced that it developed human-like intelligence and rebelled against its frivolous purpose of managing a theme park". The letter also mentioned Dante's Inferno and the Faust legend, she said.


Read More

Sunday, February 15, 2009

Brighton Shocks!

The momentum for 2010 World Horror Convention is building. Back in the UK, Steve Jones advises.

Right [Steve Jones with Peter Crowther supporting Ali Karim who was a little worse for wear...]

Those confirmed Attending Members of World Horror Convention 2010 who are interested in doing a Reading event can now register at the official website (under "Programming"). Having first introduced the popular Reading Café at the 2007 convention in Toronto, Canada, we are delighted to announce that we will be reviving the format in Brighton, once again hosted by Martel Sardina. Designed to complement our regular Programming Schedule, the Reading Café will promote individual readings, multi-author presentations, and small-press book debuts. There will also be time in the schedule set aside exclusively for poets to present their work. Our goal is to capitalise upon the incredible breadth and scope of talentthat regularly attends World Horror Convention. If you wish to read from your work, and you have already joined the convention, then simply go to the website http://www.whc2010.org/ - and click ont he link at the bottom of the appropriate page. Remember to include your name, credits, contact information and any other details that you think maybe pertinent. In the next couple of weeks we will start announcing our exciting line-up of Guests of Honour.

Celebrating its 20th Anniversary, The World Horror Convention will be heldover March 25-28, 2010, in the historic Victorian seaside city of Brighton , on the picturesque south coast of England. This is the first time that the event will have been held off the North American continent.

The theme is "Brighton Shock! - A Celebration of the European Horror Tradition from Victorian Times to the Present Day", and the convention will host numerous panels, talks, presentations, readings, workshops and displays devoted to horror, macabre, mystery and thriller fiction and art in all its varied and fearsome forms.The venue will be the historic Royal Albion Hotel, which dates back more than 180 years and is situated directly opposite Brighton's iconic Palace Pier and a stone's throw from the beach. There are plenty of alternative hotels and Bed & Breakfasts in the immediate surroundings, catering for allbudgets, and Brighton is filled with restaurants, wine bars and clubs. Antiquarian shopping precinct The Lanes, the Sea Life Centre and theworld-famous Royal Pavilion are also within easy walking distance.

Brighton has direct transport links from Gatwick International Airport and the centre of London, and is easily accessible for overseas visitors, especially those from mainland Europe. And if you want to extend your stay, then Britain's annual National Science Fiction Convention, Odyssey 2010, isbeing organised near to Heathrow airport the following weekend. Come for World Horror and stay for Eastercon! The World Horror Convention's prestigious Grand Master Award will also be presented at a sit-down Banquet during the weekend. Past recipients have included Stephen King, Dean R. Koontz, Anne Rice, Ray Bradbury, CliveB arker, Peter Straub, Brian Lumley and Ramsey Campbell.

All information about the convention, hotel and location is available onour website - http://www.whc2010.org/, including an easy to use PayPal Registration Form (which will automatically convert your payment at the current exchange rate).

Or you can print off the form and send it with a cheque (sterlingonly) to: World Horror Convention, PO Box 64317, London NW6 9LL, England.With numerous writers, artists, editors, publishers and booksellers expected to attend from all over the world, this is the one event that the dedicated horror fan, professional, collector or dealer cannot afford tomiss!

Wish you were here? . . . Well, now you can be.WORLD HORROR CONVENTION. MARCH 25-28, 2010. BRIGHTON, ENGLAND.http://www.whc2010.org/

I will be registering shortly - so see your there!

A Timely Visit to Baltimore

Hector DeJean - Minotaur Books Publicity Manager sent me this interesting press release for a timely release -

Minotaur Books has acquired an original work of historic crime non-fiction by Daniel Stashower, a two-time Edgar® Award winning writer. The new book examines a little-known yet dramatic and momentous 1861 plot to assassinate president-elect Abraham Lincoln in Baltimore, during Lincoln’s inaugural trip to Washington. According to Stashower, the foiled plot had a powerful impact on both Lincoln’s presidency and issues of security and public opinion for decades afterward, even up to the present day.

Minotaur Books publisher Andrew Martin and St. Martin’s executive editor Charles Spicer acquired rights to Stashower’s book from agent Larry Kirschbaum, founder of LJK Literary Management. The acquisition represents a departure from the norm for Minotaur, which until now has successfully published many widely-hailed crime fiction novels, yet has not previously ventured into non-fiction.

“For some time we have been on the lookout for the kind of non-fiction that can compliment our fiction list,” said Mr. Martin. “In the tradition of Devil in the White City and Manhunt, Minotaur is seeking extremely well-written historical narrative crime non-fiction. Mr. Stashower has delivered the perfect kind of book we’re looking for, and – as an Edgar® Award winning author – he is the perfect fit for Minotaur.”

Minotaur Books’s Down River by John Hart won the Edgar® for Best Novel in 2008, and Blue Heaven by C.J. Box is short-listed for Best Novel this year. Both novels were New York Times bestsellers.

Mr. Stashower’s book is tentatively scheduled to be published in late 2010, to coincide with the 50th anniversary of Lincoln’s inauguration.

Acclaimed author Stashower won Edgar® Awards for his books Teller of Tales: The Life of Arthur Conan Doyle and Arthur Conan Doyle: A Life in Letters. Stashower is also the author of The Beautiful Cigar Girl, a highly-praised book focusing on the real-life murder that inspired Edgar Allen Poe’s story The Mystery of Marie Roget.

About Minotaur Books:
Minotaur Books is an imprint of the St. Martin’s Publishing Group. Launched in 1999, Minotaur publishes about 130 hardcover crime fiction titles annually. Minotaur Books grew out of a fifty-year tradition of publishing quality crime fiction at St. Martin’s Press, and has published many award-winning and best-selling titles.

St. Martin’s Press is part of Macmillan, the U. S. publishing group owned by Verlagsgruppe Georg von Holtzbrinck GMBH of Stuttgart, Germany.

Saturday, February 7, 2009

"TAKEN" with a touch of Parker

I hadn’t seen any recent movies worth raving about for a while, in fact I still haven’t – but the Luc Besson produced “Taken” came damned close tonight.

I heard about ‘Taken’ several months ago and thought it might be worth a view on DVD as I like Liam Neeson who headlines the movie, plus the plot looked interesting. Also the backdrop for the movie intrigued me. I love [what I term] the amoral “International action thriller set in mainland Europe” sub-genre, with my favourites being as diverse as The Italian Job, Kelly’s Heroes, The Bourne Ultimatum, Ronin, The French Connection II, On Her Majesty’s Secret Service, Ripley’s Game and of course in my opinion two masterworks from Luc Besson - Nikita and Leon US re-title ‘The Professional’.

‘Taken’ fits this sub-genre well. ‘Taken’ is a French production directed by Pierre Morel and premiered in Paris twelve months ago. The English versions appeared on the big screen in September 2008 in the UK, while the film premiered at the end of last month in the US.

Its plot is very simple, but engaging – Bryan Mills [the Liam Neeson character], is a retired, divorced ex-CIA agent living in California. He has one [17 year old] daughter who he’s trying to make up to [after years of being away from home due to various overseas operations]. His daughter goes to Paris [France] with a girlfriend and ends up kidnapped by white slavers / woman smugglers. Neeson states via telephone very simply to the kidnappers that –

“If you let my daughter go now, that will be the end of it. But if you don’t, I will look for you. I will find you. And I will kill you.”


And that is the film in microcosm, so I viewed the trailer for which that line and telephone call set the stage. A couple of other things in my life were circulating that made me grab this film on DVD. Firstly I’ve been re-reading a great deal of Donald Westlake’s Richard Stark series. I noticed that a few people had considered the Liam Neeson character to have some traits of master thief ‘Parker’. The other issue is that my eldest daughter is also seventeen, and [in my opinion] unware of the risks that this world poses at its darkest edges. She’s not as streetwise as her old man so I thought it might be a good idea if she watch it almost as a precautionary tale. We’ve told her that airports, train terminals and anywhere designed for mass-transit are dangerous places where strange people often lurk – looking for victims, be they for mugging, or be they for something far worse. So DVD in hand, popcorn ready we despatched my younger two children upstairs to watch something more in line with their age group - Get Smart.

Popcorn bowls out and a cold beer in hand, my wife and I settled down with our eldest daughter to watch Liam Neeson extract revenge on some Euro-Trash baddies.

Firstly, the movie is wonderfully cathartic to watch the villains getting their butts kicked good and proper. The film is wickedly amoral as there’s even a torture scene, and a few innocents get hurt along the way; but in the context of the wider worry for Neeson’s daughter – you accept the actions that this ex-CIA agent has to deploy.

As for the question of Neeson’s character being like Richard Stark’s master thief Parker? Well not really. The only similarity is the dispassionate way in which both Parker and Neeson are workman-like in their methods of despatching their opponents. Though saying that, if you like the Parker books [and films], you will enjoy seeing Neeson deploying Parker’s tactics to restore order with not a single flinch of remorse or empathy to those who block his path.

In fact the whole film was highly enjoyable and made the heart pound as Neeson, like Matt Damon’s Jason Bourne fights his way from one set piece to another, never wavering or showing worry. He’s like a machine that has no off-switch, which I guess is a trait of Parker.

The one downside I felt was the manner in which East Europeans and Arabs again are painted as the bad guys. Neeson at one point resorts to torture [by electrocution] to extract information about his daughter’s whereabouts. In the broader context of the narrative, the torture is made morally acceptable which is worrying - ‘Extra-ordinary rendition’, ‘Ghost-Flights’ anyone? The surreal aspect is that ‘Taken’ is a French film and far more right-wing and reactionary than the US/UK production of ‘The Bourne Ultimatum’ which actually shows how dangerous it is for a society to allow its covert agencies to deploy torture as a tool; no matter how desperate the situation.

The liberal part of my brain wondered if films, like many other parts of the mainstream media are working as instruments of propaganda in gently [and subliminally] influencing public opinion toward a targeted agenda. But then again I could be just getting more paranoid as I get older. The more I see around me – the more I read into what I see; and the view from my window is not pleasant.

Though The Times review ignores the political dimension but points out the issues of violence that pepper this film –

Neeson calculates that he has 96 hours tops to save his daughter before she is pumped full of heroin and rented out to construction-site navvies for the rest of her life. The neck-snapping urgency with which he chops through Albanian criminals is an astonishing spectacle. The graphic violence is filmed in quadraphonic stereo and unflinching close-up.

“You know we used to outsource this kind of thing to the Third World,” muses Neeson as he neatly wires up an Albanian thug to the national grid in a dingy basement. “I don’t know why. The power source is far more reliable over here.” It’s these tabloid one-liners that keep the pitch-black comedy alive. The body count is fabulously unhealthy. And the inevitable betrayal is a public scandal.



“Please apologise to your wife for me,” Neeson deadpans seconds after putting a bullet into the Chief of Police’s hapless partner to illustrate his disappointment over dinner. If Neeson wasn’t in such a dreadful hurry we might even enjoy the mindless cruelty.

The Guardian found a different message embedded in Taken’s narrative –

But there's more to this film than just action. At the start, something about it – something good, that is – seemed rather familiar. Neeson plays a former secret service warrior who has retired to be near his daughter. The daughter lives with Neeson's horrible, snobby ex, played by Famke Janssen, an ex-Bond girl who seems to be thriving as she approaches middle age (check her out as Ben Kingsley's constantly smoking wife in The Wackness.)

Anyway, Janssen has married a rich ponce, and Neeson is being squeezed out of his daughter's life, and it's heartbreaking. The way he stoops, his walk, and the way he uses his eyes is just superb. He's given up being a hero, and now he's being humiliated; the early scenes, which set this all up, are a bit manipulative. But it just about works. And then – bang! The daughter is kidnapped. Neeson takes control. Suddenly, he's a mad driver, a killing machine, and a detective. His ex-wife's rich ponce of a husband is nowhere. Ha!


The film is really made special by the extraordinary performance by Liam Neeson as Bryan Mills. Neeson in my opinion is perfectly cast for the role, and he stated -

"I'm always motivated by script. That's my sole criterion and it's either something that gets under my skin or it doesn't, to be honest. And with this script I just loved the action of it. I loved the fact that I was being asked to do it. I was 54 years of age then and I thought in a few years' time I'm never going to be asked to do this sort of stuff again. But then, even though it's never been a fantasy of mine to play an action hero, one gets a real kick out of shooting real movie baddies and driving like a racing car driver."

The film also worked in highlighting to my daughter that talking to strangers in strange cities [or imparting personal information] no matter how charming the stranger maybe, can lead to danger. Normally my wife and kids think that as I read so many crime novels, I live in a state of paranoid delusion about human kind. But I also read a great deal of non-fiction and have seen first hand the signs that there is terrible darkness within the human condition. Despite some of the later sections of ‘Taken’ getting more outlandish, both my daughter and wife realised the plausibility of the danger that Neeson’s daughter put herself into.

In fact I found a website that views ‘Taken’ as a real-life warning about the risks I explained to my daughter -

The movie touched also a warm matter : human trafficking : it’s kidnapping girls and forced them to be sex-slave and prostitute. Actually, it’s the third illegal trade which paid most after drugs and weapons ($10billion per year). As one of the trafficker says in the movie: “It’s not personal, it’s just trade”, those people don’t have any scruple to use other people as an object, a stock to sell. They are well organized (corruption, money laundry, mafia) it takes years to crack their system down. And even if one of those traffic is dismantled, ten groups, worst than those before is raised. Over 2 million people are trafficked per year. Their victims are young girls and children. Internet is one of their means to attract them. And there are some who kidnap children too. The 96 hours mentioned in the movie is also true : once you’re out of the country you were kidnapped, it’s almost impossible to find you. Their network extend all over the world : Europe, US, Mexico, Asia, Africa, everywhere. Unfortunately, if you travel alone, your missing may be not declare only after the 96 hours.

So after the film finished, we all agreed that with a few reservations [the ones that ruffled my liberal sensibilities]; ‘Taken’ was on the whole an excellent film.

As we watched the credits unspool, my daughter asked what I would do if she were kidnapped in a similar situation. I told her that firstly she wouldn’t be as naive as Neeson’s daughter; and that if I had to mobilise my own resources and contacts; I would have taken off my gloves unlike Neeson. In fact I would be far less restrained than Neeson. My daughter laughed and said ‘Dad, you’re the best’. My wife laughed also, but a little more nervously. She knows some of the people I know, and she also knows exactly what I am capable of, should the cards ever fall in the wrong order.

If you need a jerk of cathartic and amoral action ‘Taken’ is the movie to watch this month; but remember that we can all be pushed to the edge; but some of us push back, and in some cases that push can be vicious.



Friday, February 6, 2009

Finding Paranoia

On occasion my kids laugh when I put down a book and start clapping. They smirk and say “Don’t tell us Dad. Best book you ever read!” In the case of Joe Finder’s Paranoia, they are close indeed.

Anyway, on today’s Patti Abbott forgotten book Friday – I nominate ‘Paranoia’ by Joe Finder; not exactly a forgotten book, but a novel that I consider to be one of the best times I've had reading a novel. When I finished, I didn’t just clap, I gave Finder and his hero Adam Cassidy a standing ovation.

I have been fortunate to have bumped into Finder many times over my surreal travels through reality and fiction. I was worried when I first met Finder, in case he turned out to be weird; but when we met [at the inaugural Thrillerfest in Phoenix, Arizona in 2006], my fears were totally false. We had breakfast and I found Finder a delight [Photograph (c) 2006 A Karim]. What I discovered over scrambled eggs and coffee is that Joe Finder is highly intelligent, modest, well read and a mine of information about writing, politics, the human condition and thriller fiction.

A little background - Joe Finder tends to write what I term ‘High Concept’ – which his breakout novel Paranoia [2004] was. In fact Paranoia I rate as one of my all time best techno-thrillers – period. Joe’s subsequent works such as 2005’s Company Man [UK Title ‘No Hiding Place’], the ITW award winning Killer Instinct [2006] and Powerplay [2007] are equally remarkable work. In fact Joe’s early work such as Zero Hour [1996], and High Crimes [1998] which was filmed with Ashley Judd and Morgan Freeman, Extraordinary Powers [1994] and his recently re-issued 1991 thriller Moscow Club are all well worth re-discovering. Last time Joe was in London, he talked about these novels over lunch and he even had an amusing anecdote about meeting Oscar winner Morgan Freeman on the film set.

Since then he moved from Orion to Headline in the UK with his last novel ‘Power Play’ and I was worried why we hadn’t seen any new work from him but I was relieved when I was assured that a book is on the way as reported at Rap Sheet.

So here’s my review which may explain my enthusiasm and why I clapped when I put the book down -

When I read the first chapter and came to the last line ‘My life as I knew it was over’ – I knew as a book reviewer that this was going to be a thrilling book, but why? Because of the hip, perceptive and slippery style of the prose and a plot to die for. When I got to the end, I put the book down and clapped my hands and shouted ‘Bravo!’ and would implore you to seek out ‘Paranoia’ as it is such a fun read.

The story revolves around white-collar, junior manager and corporate slacker Adam Cassidy who throws a party for one of his blue-collar colleagues using funds from his employer Wyatt Telecom. The budget for the party reaches $68,000 and lands him in deep trouble. A Faustian pact is offered by the man at the top of the tree, Nicolas Wyatt, who Cassidy describes as ‘one scary dude’. The deal is outlined explicitly as either going to jail (for the theft of the $68,000) and facing anal rape night after night (as Cassidy is a pretty boy), or to go undercover and infiltrate Wyatt’s main competitor Trion systems on an enhanced salary. Nursing his critically-ill father and paying for his medical costs, Cassidy realizes his back is well and truly to the wall so he agrees to become an industrial espionage agent. Researched heavily, the high-tech environment is vividly realized, as Cassidy gets trained into becoming a top-flight executive. The book is very perceptive and underlying the hip humor is a layer of cynicism. I loved the line ‘Power corrupts and PowerPoint corrupts absolutely’, and the book is peppered with such corporate snipes.

After grueling training and coaching, Cassidy enters Trion Systems, and becomes pressurized by Wyatt to extract information on a new product (a product so secret that it is hidden from Trion’s main business). He also has to cut his ties to his slacker buddies as he transforms himself into the high-powered executive. The stakes get higher as does Cassidy’s paranoia, because he soon finds himself heavily embroiled within the politics of Trion, but also realizes that things are not as they once seemed. His woes are heightened when his father needs constant nursing, as his emphysema brought on by his cigarette habit requires constant nursing. The problem is that none of his stream of nurses can cope with his acidic tongue.

As Cassidy infiltrates Trion, he soon finds a friendship with Alana Jennings an employee working on the secret project, and starts questioning his allegiances. The pressure from Wyatt is ratcheted up and Cassidy finds himself a pawn in a bigger game.

I defy anyone not to read this in one sitting; such is the easygoing and hip prose style of Finder. However it is the unbearable tension that starts bending back the plot like a catapult that really makes this one hell of a book.

Exciting, fast-paced and laced with intelligent humour – this is a fun read and one of the best techno-thrillers for sheer thrills – Ali Karim

If you’ve not read Joe Finder’s “Paranoia”, you have a serious gap in your thriller bookshelf which you need to fill; but don’t just take my word – here’s more, and more and here’s Joe talking about it below

Tuesday, February 3, 2009

Colonel Mustard did it in the Library

I really enjoy attending the Annual CWA Dagger Awards in London each year, and one of the Awards is open to the public for voting. This allows anyone who votes to have the chance [via a prize draw] to attend the CWA Dagger Banquet, as well as receive a bundle of books for their reading group. The Award I’m referring to is of course The CWA Dagger in the Library.

[Left] 2008 Dagger Winners Martin Edwards [Short Story Dagger] with Craig Russell - [CWA Dagger in the Library Winner] Photography (c) 2008 Ali Karim

Booktrade and The CWA issued the following background with details on how to vote -

Unlike most other literary prizes, the Dagger in the Library is awarded not for an individual book but for the author's body of work. Previous winners have included Stuart McBride, Craig Russell and Alexander McCall Smith whilst Joolz Denby, Lesley Horton and C J Sansom have been Highly Recommended. Nominated authors must be alive, preferably working in Britain and cannot have won the award before. If you'd like to nominate your favourite crime writer, nomination forms can be downloaded from the CWA website or picked up from your local library and all entries must be submitted through a library. Each branch library or reading group can nominate up to three authors so any arguments can be left to the judging panel!

Short supporting statements are welcome as they'll help the judges come to their conclusion.
2008 saw 54 authors nominated and there is an added incentive this year. As before, all groups whose nominated authors are shortlisted are entered into a draw for 2 tickets to the prestigious Dagger Awards ceremony in London but, for the first time, those groups who nominate the winning author will enter a draw for £300 to be spent on books for their group. The closing date for entries is 11th April 2009 so let the arguments begin – just try to keep the murders to the printed page! –
Read More

So head off to your library to vote or download a voting from the CWA website

Tuesday, January 27, 2009

Coming to America with R J Ellory – Part III “The Long Road Home”

Orion Dinner [Clockwise] with Larry and Lynn Block, Kate Mills, Linwood Barclay and Mrs Barclay, R J Ellory, Ed and Cathy Wright, Harlan Coben and Steve Hamilton.

Continued from - So after surviving a scary moment in downtown Baltimore Roger and I relaxed with some whisky.

One of the key features of the Bouchercon experience is meeting some of the American legends of the genre, such as Larry Block, Laura Lippman and her husband the great David Simon, Dennis Lehane, Thomas H Cook, George Pelecanos, Harlan Coben and I could go on and on. In fact the whole weekend for me was just one long party meeting colleagues friends and making new ones.

The American writers of course were in force, and what a friendly and approachable bunch they are. Many of them attended The Private Eye Writers of America [PWA] annual Shamus Awards Banquet. The prolific writing duo of Bob Randisi and Christine Mathews always throw a superb party, and this year was no exception. The venue was Baltimore’s Westminster Hall – the last resting place of Edgar A Poe. As the sole two Brits, Roger and I were treated like kings. It was also great to finally meet Charles Ardai, writer and publisher of the Hardcase Crime Series. The wonderful thing about these events is the sheer serendipity of things, as Charles and I ended up dining together, which was a delight as both of us have very demanding ‘day-jobs’ as Managing Directors of large business’s, but we both share a passion for crime and thrillers. And as we paid our respects to Edgar A. Poe at his graveside, I realised that it was a moment I will treasure as a crucial memory.

Sunday, Sunday

I have to hand it to Mark Billingham for being an exceptional toastmaster, as he was addressing upwards of 1,000 people at the opening and even more at the Anthony Awards brunch, and at each ceremony, his delivery was superb. Witty, funny and sidesplitting – Our local boy made all the Brits proud, as did the erudite John Harvey and Thalia Proctor fellow International, and Fan guests of honour. I was so pleased that booksellers and publishers Barbara Peters and Robert Rosenwald of Poisoned Pen Press were honoured with lifetime achievement awards, especially as they truly support British Writers breaking into the tough US market. George Easter winning the Dan Sandstrom award brought a tear to my eye, as well as George’s – as it was a complete surprise and well deserved. OK, so Roger and I didn’t win our awards, but hey, we were just flattered being on the nominations list, besides we just had a ball at Bouchercon, which is not about awards but about friendship.

Leaving Bouchercon is always melancholic, after meeting and making friends and forgetting the world’s economic woes for a few days; but typically for me, it was still a somewhat exciting end, considering the genre I love.

Naturally Roger and I thanked Judy and Ruth [as well as Jon and Jennifer] several times during the weekend for their passion and amazing organisational ability in pulling off an amazing convention.

The last night in Baltimore was made special by a wonderful post-Bouchercon dinner on the waterfront with Rap Sheet editor Jeff and Jodie Peirce, Linda Richards, Peter Rozovsky, Sandra Ruttan and her partner Brian with Roger and I attended.

“Sir do you always travel with 80 crime novels in your luggage?”

Now as happy as I am that airport security is tight to protect travellers from the threats posed by psycho terrorist nutters; one problem is that anyone with brown skin is often given ‘special treatment’ which is always a nuisance for me as I always get picked for that special treatment. This time the problem originated at Baltimore Airport when R J Ellory and I checked in on the Monday after the Bouchercon weekend. I was massively overweight on my luggage and so had to remove a load of the books I purchased during Bouchercon, and put them in a spare holdall to use as carry-on luggage. While I was reorganising my books we were advised by the check-in clerk that as we were changing planes at Charlotte for London, we’d have to collect our luggage at Charlotte and re-check it in after security at that North Carolina airport for our transatlantic flight. This should not have posed any problem as we had a 2 hour stop-over in Charlotte for the connecting flight. However things went really South when we arrived in Charlotte. We went to the luggage carousel and waited. It took a dreadfully long time for the bags to start circling the carousel. But no sign of our bags, and then as we noticed there were only three bags going round and round and all passengers had left the area, we wondered off to the information desk. There, the official checked our boarding passes and tickets and told us that our bags had been checked in through to London. Glancing at his watch, the official frowned and said “you guys better run, you have 35 minutes to make your flight.” And so we did. We raced up the stairs to security for departures, cursing the check-in clerk at Baltimore. I was sweating profusely as my holdall weighed a ton due to all the books.

So after the usual security routine of X-rays, shoes and belts off etc; Roger got through but I was sent into what I thought was another X-Ray machine, but was a bomb-proof glass cubicle. Once inside the door was firmly locked behind me. I had been [thanks to my "popularity" with Airport Security] 'randomly' selected for 'special treatment'. Then three TSA officers arrived and informed me that they wanted to ask me a few questions and then opened up all my luggage. In fact they were really nice guys. I informed them of my predicament as the airport tannoy was barking “Passenger Karim for London, your flight is boarding and your gate is closing in ten minutes”. They told me to relax and said jovially if I could run as fast as I could talk I’d have no problems making my flight.

Then one of them asked "Mr Karim do you always travel with 80 crime novels in your luggage?" at which I pulled out the Bouchercon Brochure and explained that I am an editor, reviewer and collector of crime fiction and thriller novels, at which they asked for recommendations for themselves; so we had a lengthy chat about various books and they noted down the books I reeled off the top of my head - Stieg Larsson’s The Girl with the Dragon Tattoo, Linda Richards’ Death Was The Other Woman, Tom Rob Smith’s Child 44, Nick Stone’s Mr Clarinet, Dennis Lehane’s Shutter Island, Sean Chercover’s Big City, Bad Blood, John Connolly’s The Unquiet, Micheal Crichton’s Prey and many others. The TSA [Transport Security Administration] men scribbled furiously as I reeled off titles of books I loved. They just loved my enthusiasm, but in reality I was in panic as the clock predicted that I’d miss my flight. My anxiety at this point was beyond heightened as the airport tannoy continued “Passenger Karim, please make your way immediately to Departure Gate D11, your flight is ready for departure”.

They only released me when their notebooks were filled with my book recommendations. I quickly packed up my books and luggage and noticed I had mere minutes to make my flight. The security men told me to run fast, and gave me directions to my departure gate. I had to run like an Olympian. The sweat dripped off me like I was under a shower as I took giant strides forward. I really had to sprint as I had 3 minutes to get onto the plane. The tannoy kept yelling "Mr Karim please make your way to Gate D11 immediately your flight is closing..." As I ran like a madman, I was shouting to people to get out of the way as I swung my big holdall of books on my shoulder. The strap cut into me as the bag was so damned heavy. As I ran, I worried that an Asian-looking guy holding a big bag slung over his shoulder running, and yelling to people to move out of the way in a US airport, could look like......hmmmm......not cool. It was lucky I didn't get shot by a trigger happy TSA person. But then again I guess I didn’t look Brazilian.

I only made it to D11 just as the airbridge was about to be closed off.....I thought I'd have a heart attack, as the sweat was pumping off me. Taking my seat, Roger Ellory was concerned at my heavy breathing and sweat pumping off my hair and remarked that my love of books could have proved dangerous. I laughed it off, and told him it all added to the many adventures of my life.

This proved to be a fitting end to one of the greatest crime fiction conventions ever. If you’d like to see more photographs of the event, Roger Ellory’s wife Vicky has kindly placed a huge array of our snaps on his website.

Extracts of this complete report have appeared at The Rap Sheet, Deadly Pleasures Magazine and The CWA Monthly Magazine Red Herrings. As lengthy as this report is, I missed a load of people I chatted to, drank with, laughed with, and generally wiffled around with but hey, Bouchercon is all about having a great time, seeing friends and making new ones.

If you’ve managed to read it all, man you must have now lost the will to live, or perhaps you’re enthused to make it to Bouchercon 40 in Indianapolis this fall – details here.

Lehane on your chest

Is the cold weather getting you down?

Is Global warming not working?

Is the 'credit crunch' disrupting your clothing purchases?

Fear not because Dennis Lehane has the solution as reported by The Boston Globe -

Dennis Lehane has found a novel way to raise funds for a cause he believes in. The best-selling scribe has joined with Protect.org to produce T-shirts featuring fictional names and places from his books. For instance, there's a T advertising Kenzie & Gennaro Investigations from "Gone Baby Gone," Ashecliffe Hospital from "Shutter Island," and Hurley's Drive-In from "Mystic River." Lehane's the latest author to work with Protect.org, a political lobby focused on protecting children from abuse and exploitation. Other authors involved include authors Andrew Vachss, Joe R. Lansdale, and Nick Hornby.

Read More

Monday, January 26, 2009

Coming to America with R J Ellory – Part II “The Mafia, I Shit ‘Em”

This is the second part of Roger and Ali’s excellent adventures in Baltimore and Part one can be accessed here

The Convention hotel was The Baltimore Sheraton, but we stayed at the overflow hotel which was the historic Radisson Lord Baltimore which was connected by a footbridge. This was a great move as it was within walking distance to the epicentre of activity, but also quiet enough to retreat when one needed time to come up for air.

The panels were all themed to music tracks, with me moderating a session on Alcohol and Crime Writing entitled “I can’t stand-up for falling down”; which was a lot of fun tackling a serious topic with Ken Bruen, Jason Starr, Elizabeth Zelvin, Michelle Gagnon and Con Lehane. It was helped by me drinking heavily during the discourse much to the amusement and alarm of my panelists. I was also on a book reviewing panel with Lee Child and others and again, one of the features of Bouchercon is that the panels fill to standing room only. There were so many that it would be unfair to name them all, except perhaps the funniest “Would I Lie To You” Featuring Mark Billingham, Laura Lippman, John Connolly, Chris Mooney and Karin Slaughter. The highlight was discovering that John Connolly has an erotic soft spot for the actor Daniel Day-Lewis.

There was a decidedly anglophilic feeling during the event as we had many Brits making the trek across the Atlantic; many for the their first Bouchercon such as Martyn Waites, Jason Goodwin, Tom Cain, Adrian Magson, Stuart MacBride, Sophie Hannah and Roger Ellory. While experienced hands such as Lee Child, Ann Cleeves, Martin Edwards, Val McDermid, Stephen Booth, Peter Robinson, Lauren Henderson, Mo Hayder, Peter James, Zoe Sharp and Natasha Cooper mingled with fans, editors and fellow writers. The Irish also came in force with Russel Mclean, Ken Bruen, John Connolly, Declan Burke and Declan Hughes all adding their Celtic touch to their US readers. The international flavour was added with Icelandic CWA Gold Dagger winner Arnaldur Indridason. Meeting him at a drinks reception was a real pleasure, as ‘Jar City’ [UK Title ‘Tainted Blood’] has to be one of the greatest European Police Procedurals I have ever read. To celebrate his appearance not only did St Martins Press organise a cocktail party in his honour, but also arranged a screening of ‘Jar City’ – a wonderful adaptation. Yes, there was a screening room and films all weekend on top of panels, drinking and parties. Talking of parties, the event was awash with them. Particularly pleasant were the St. Martin’s cocktail party, Meet the Brits, and Lee Child’s annual Jack Reacher bash in an Irish bar called ‘Lucy’s’. This was a real buzzing event, but in a rather ropey area of town, that caused an issue when Roger and I made our way back to the hotel through ‘The Hood’.

It was a rather frightening experience, but thanks to reading so many thrillers, and both knowing lines from the classic London gangster movie - “The Long Good Friday” - Roger and I put on our grimmest Jack Reacher whiplash smiles and spoke loudly in tough faux London Gangster accents. That was enough for the hooded Baltimore men to part the pavement and cross the road to allow us through.

Without sounding jingoistic, as tough as American gangsters are; there’s nothing scarier than a British Baddie to really put the fear of God into an American Baddie. Reading a lot of thrillers and crime fiction can have its upsides. However I must warn you, that snarling in a loud cockney accent on the streets of Baltimore is not really recommended unless you are prepared to imitate lines from the classic London gangster movie ‘The Long Good Friday’. So I whispered the plan to Roger, and then nudged him as the thugs approached, to get him into character and into cockney -

Ali - "Notice anything unsual? Different Nobbers, or the usual Wifflers?"

Roger - “It was a good night. Nothing unusual”

Ali - "Nothing unusual, he says! Eric's been blown to smithereens, Colin's been carved up, and I've got a bomb in my bloody casino, and you say nothing unusual?”

Roger - “When was this, then?”

Ali – “When was this then? When was this then? Is that all you can say you fucking Nobber! I'm glad I found out in time just what a partnership with a wanker like you would've been. A sleeping partner's one thing, but you're in a fucking coma! No wonder you got an energy crisis your side of the water -
The Mafia, I shit ‘em! the world's full of Wifflers!"



The Baltimore hoods just moved away crossing the street, while Roger did his best to keep a straight face as I trembled with fear [but the hoods assumed it was with anger]. It was lucky that Mike Stotter wasn’t with us, as he’d have started singing which wouldn’t have worked as an angry Asian version of Bob Hoskins is far more threatening and sinister, than a cockney chimney sweep from Boston.

When we got back to the hotel intact but shaking, Roger and I drank hits of Scotch on the rocks to reduce the leg trembles.

We had been warned by Laura Lippman in her welcoming address about how tough and dangerous Baltimore is at the edges. Lippman had advised us that although her hometown Baltimore is a lovely place, it does have 3 to 6 murders a week, and there are certain districts we had to avoid.

To be continued

The Bodies on the Webchat

As many know, I rate Jeff Deaver’s ‘Garden of Beasts’ as one of the greatest golden age thrillers of all time. But Deaver’s work is also high-tech. For those who have not read his excellent techno-thriller ‘The Blue Nowhere’ [2001], you've missed a truly scary novel. In keeping with the techno-theme it was with pleasure that I received an email from Eleni Fostiropoulos [Publicity Manager at Hodder & Stoughton UK] alerting me to a Waterstones webchat that Deaver is conducting tomorrow –

On Tuesday 27th January between 12 noon and 5pm, Waterstones will be hosting a live web chat with bestselling American crime writer, Jeffery Deaver from his US home, giving readers the chance to discover more about his work. Find out more...

Any queries to content@waterstones.com

Put your questions to Jeffery now!

And look out for Jeff Deaver’s latest – ‘The Bodies Left Behind’ which has a frightening scenario -

A spring night in a small town in Wisconsin...A call to police emergency from a distant lake house is cut short...A phone glitch or an aborted report of a crime? Off-duty deputy Brynn leaves her family's dinner table and drives up to deserted Lake Mondac to find out. She stumbles onto the scene of a heinous murder...Before she can call for backup, though, she finds herself the next potential victim. Deprived of her phone, weapon and car, Brynn and an unlikely ally -- a survivor of the carnage -- can survive only by fleeing into the dense, deserted woods, on a desperate trek to safety and ultimately to the choice to fight back. The professional criminals, also strangers to this hostile setting, must forge a tense alliance too, in order to find and kill the two witnesses to the crime...

Jeff talks about writing his latest thriller -





For more information about Jeff Deaver –

Click Here for a Shots Interview

Click Here for Jeff Deaver’s website

Click Here and Here to read about Jeff’s previous visits to The Harrogate crime festival

For Deaver fans, Eleni advises me that Jeff Deaver will be coming over to the UK in July for his new Kathryn Dance novel, Roadside Crosses.

Sunday, January 25, 2009

Coming to America with R J Ellory – Part I “The Overlook Connection”

Last week, I had dinner with Roger Jon Ellory and his delightful wife Vicky. I brought wine to celebrate Roger finally seeing is work in print in the US. I was impressed to discover that his US publisher is in the legendary Peter Mayer of Overlook [US] and Duckworth [UK]. It appears that Overlook is publishing ‘A Quiet Belief in Angels’ [Roger’s breakout novel, and a 2007 Richard and Judy selection] in the Fall of 2009. A second book [yet to be named] will be released in 2010. Roger recently had lunch with Peter Mayer and was very impressed by him, and was delighted to be joining the US publishing house ‘Overlook’. Over lunch he remarked that ‘Overlook’ reminded him of the ‘Overlook Hotel’ in Stephen King’s ‘The Shining’, at which Peter told Roger of his own long term friendship with the wordsmith from Maine. I think that the relationship between Peter Mayer and Roger Ellory will be a big win / win for publisher and author, knowing them both as well as I do.

So as we tucked into Roger’s beef stew. I informed Roger that it was coincidentally thanks to Peter Mayer that I managed to get an exclusive interview with the reclusive and publicity-shy Robert Littell, one of Duckworth’s and Overlook’s most commercial writers. I knew it was Mayer who basically came up with the idea for Littell’s novel “The Company” – a fictionalised re-telling of the history of the CIA. Robert Littell told me at the time that it was Peter Mayer, his friend, publisher and editor who was behind [the curtain of] ‘The Company’ –

The truth is that the editor is always critical, because to launch yourself [into writing] a book that could take two to four years, you really have to be ardent about the project. You can't just write on a whim ... So Peter [Mayer] suggested that everything I had ever written was leading up to a big project, a saga that would take in the first 50 years of the CIA, right up to the end of the Cold War. He says my eyes widened with interest, and I thought, How could it be that it had never been done? Well, apart from Norman Mailer's Harlot's Ghost (1991). From the time I left lunch with Peter and had returned to my friend's house, I had pretty much figured out the book. I told my friend, the movie director Michael Ritchie, who is now sadly dead, about the project and how I could do it. Michael said, "You write it and I'll produce it." Pretty much after that, Peter Mayer was going to the Frankfurt Bookfair to sell the foreign rights so I could have enough money to write it for four years, because I had to eat. On the plane back to France, I wrote an outline for The Company -- I had never written such a detailed outline before, and I attached a letter: "Dear Peter -- Please find an outline of what the book could look like." The outline had notes, a précis, actual scenes -- I'd say 90 percent of the book was there in that outline. I thought it was a thrilling idea. Then Peter phoned me up from Frankfurt and said, "Well, we've sold it in Italy, in Germany, in Holland, England." And my response was "Oh Jesus ... I really have to do it now" ... And I spent a year doing nothing but reading and note-taking, and then I spent the next three years writing The Company. When Peter sent me the first proof copy of the book, I read the opening and thought, Where the hell did I get the nerve to launch myself into a project so daunting? Because when I started it, I just could not see the end.

Read the full feature here

Robert Littell’s “The Company” was adapted into a TV Miniseries in 2007. The surreal angle was that Roger’s own work [especially his latest] “A Simple Act of Violence” has a CIA theme striated across the hunt for a vicious serial killer –

Washington, embroiled in the mid-term elections, did not want to hear about serial killings. But when the newspapers reported a fourth murder, when they gave the killer a name and details of his horrendous crimes, there were few people that could ignore it. Detective Robert Miller is assigned to the case. He and his partner begin the task of correlating and cross-referencing the details of each crime scene. Rapidly things begin to complicate. The victims do not officially exist. Their personal details do not register on any known systems. The harder Miller works, the less it makes sense. And as Miller unearths ever more disturbing facts, he starts to face truths so far-removed from his own reality that he begins to fear for his life. This is a novel about trust, loyalty, and beliefs that are so ingrained which, when challenged, they leave people with nothing. Vast in scope, A SIMPLE ACT OF VIOLENCE is an expose of the brutality of covert operations, the power of greed and the insidious nature of corruption. It is also a story of love and trust that somehow managed to survive the very worst that the world could throw at it.

We toasted Roger’s success, and I thanked him for having my name in the acknowledgments page. I like Roger. His modesty and humility has not changed one iota despite his huge success. He always considers himself fortunate and places his success down to hard work and luck, however I have argued with him on several occasions, that his success is more down to his writing ability than luck; as well as his work ethic. If you care to glance at his blog – you can see for yourself that he lives to write, and he writes to live.

We plotted to return together to Bouchercon 40 in Indianapolis later this year as we had such a great time last year. We are the odd couple, as Roger is slightly reserved [despite doing a plethora of library events], while I’m more outgoing, but we both share the same world-view of reality, and our sense of humour about the absurdities of life are identical. In fact Roger said he plans to go to Bouchercon for the next 25 years and insists that I should be his travelling companion. Let’s hope we both live that long.

When we were finishing our coffee, Roger indicated that he is over in Washington D.C. next week with a BBC Film crew recording a TV special about the city of Washington following the win by Barack Obama. He again was very modest about this, almost embarrassed by this development. It seems that the BBC picked Roger for the TV special due to his setting “A Simple Act of Violence” in the US Capitol. I am so glad Roger has finally really broken through, but he is as modest as ever about fulfilling his dream, writing full time and being published in America.

So with stomachs filled with the Ellory stew, we laughed about our adventures last year at Bouchercon Baltimore, both thanking Roger’s wife Vicky for putting the photos of our adventures online. Click here to see them all. When the economic situation gets me down and depressed, I like to re-live the trip to perk me up.

The seeds for our Baltimore adventure started when Roger and I had met at the Heffer Bookstore’s annual ‘Bodies in the Bookstore’ earlier in the year, [the “Bodies” event was incidentally where I first met Roger] – we had agreed to attend Bouchercon Baltimore together – splitting the cost. This was a great idea, but seemed less so when I collected Roger from his house at 2am on the Wednesday before Bouchercon [to drive down to Gatwick airport for our transatlantic flight].

Despite the early start, it was delightful to have Roger as a travel companion especially considering the modern hassles of air travel these days. It was also rather weird reading his latest novel ‘A Simple Act of Violence’ on the plane while he snored away. Despite the various nominations [CWA Ian Fleming Steel Dagger] he has received over the years for his scribbling. He has yet to win an award from the CWA, but we were hopeful this year as he was nominated for a Barry Award for ‘A Quiet Belief in Angels’; and I was up for an Anthony Award – for my Special Services to the Crime and Thriller Genre. We both felt that neither of us had a chance of winning anything, but it was a good excuse to raise some glasses, which we did on the flight from London. We had a change of plane in Charlotte, which was an excuse for a few beers with our hamburgers in the airport lounge to relax after all the wiffling and nobbing associated with long-haul travel.

The surreal feature of this life is seeing colleagues in weird places. Roger and I had smiles on our faces when we landed in Baltimore as we spotted Stuart MacBride looking somewhat lost at the baggage carousel. Being an old hand at US travel and conventions and conferences, I asked Stuart to join us in our taxi to the hotel, congratulating him on his win at the ITV-3 Awards in London merely a few days before [where the three of us had met over a few drinks last].

It would be impractical to give a blow-by-blow account of the whole event, as I probably only sampled 10% of what was on offer, as the panel tracks were diverse with four panels on at any one time, as well as karaoke crime bar. From a practical perspective the organisation by Ruth Jordan and Judy Bobalik, and their horde of helpers [many surnamed ‘Jordan’] was excellent. The whole weekend ran like a well lubricated machine. The crime and thriller fiction world thanks in large part to the Internet, has become a global community of fans, and in Baltimore, the Uber fans as I like to refer to them were out in force. We had Jiro Kimura from Gumshoe Japan, Maggie Griffin, Jeff and Beth of Cincinnati Media, Janet Rudolf of Mystery Readers International, The Deadly Pleasures crew led by George Easter and Larry Gandle, Sarah Weinman, Dana Kaye, The Jordan clan from Crimespree, Jim Huang of the Drood Review, Peter Rozovsky, The Mystery News and Mystery Scene gang, Jeff Pierce from The Rap Sheet, Linda Richards from January Magazine, The Strand Magazine team, David Montgomery of Mystery Ink, Gangs from Dorothy L and Rec.Arts.Mystery [RAM], Maddy Hertbruggan and her cabal from 4-MA, Gerald So of Thrilling Detective, Sandra Ruttan and Brian of Spinetingler, Russel Mclean of Crimescene Scotland, Ayo Onatade from Mystery Women, as well as myself with many hats including my bullet-ridden Shots, Rap Sheet, Deadly Pleasures, Crimespree, Books and Bytes, Mystery Readers International and Red Herrings Hat[s]. I should also add that there were more bloggers than you can toss a mouse at and far too many to name here.

I was pleased to see despite the austerity measures facing the world, forward thinking British Publishers joined the Baltimore melee. I spotted Selina Walker from Transworld, David Shelly from Little Brown and Kate Mills from Orion Publishing. Coupled with more awards to celebrate the genre than any other event, such as The Barry, The Macavity, The Shamus, The Crimespree and of course The Anthony Awards that closed the event on a delightful Sunday Brunch. And let’s not forget the book sellers and dealers who cost me a fortune as the book room was as vast as one could have hoped for. But with the global recession heading to toward publishing, I did my bit to spend as much as I dared on books. As there is no competition among friends, we also had The Left Coast Crime gang extolling the virtues of attending their Hawaii event next year, as well as Myles Alfrey and Liz Hatherall touting the gathering with the delights of Bristol for next year’s Crimefest. I even got in on the act sporting my Harrogate tee-shirt with pride. Both Harrogate and Crimefest 2009 events in the UK look well worth attending.

To be Continued

Thursday, January 22, 2009

The Best of Science Fiction

The Guardian / Observer continue their listing of the 1,000 novels you must read; so we’ve had the Crime Fiction list and now we have Science Fiction and Fantasy –

As a Philip K. Dick reader, I was pleased to see Dick represented though I was perturbed not to see ‘The Three Stigmata of Palmer Eldritch’

[Graphic (c) Steve Young] This is one of my favourite pieces of art related to Philip K Dick and used for the Orion cover for The Three Stigmata of Palmer Eldritch and entitled "Perky Pat Paraphernalia" by Steve Young

In Philip K. Dick's "The Three Stigmata of Palmer Eldritch" the Mars colonists take a drug called Chew-Z to alleviate their suffering. To enhance the experience they use "Perky Pat" mins, small replicas of the world they have left behind.

Instead we have from Dick’s work –

Philip K Dick: Do Androids Dream of Electric Sheep? (1968)
Dick's novel became the basis for the film Blade Runner, which prompted a resurgence of interest in the man and his works, but similarities film and novel are slight. Here California is under-populated and most animals are extinct; citizens keep electric pets instead. In order to afford a real sheep and so affirm his empathy as a human being, Deckard hunts rogue androids, who lack empathy. As ever with Dick, pathos abounds and with it the inquiry into what is human and what is fake.

Philip K Dick: The Man in the High Castle (1962)
Much imitated "alternative universe" novel by the wayward genius of the genre. The Axis has won the second world war. Imperial Japan occupies the west coast of America; more tyrannically, Nazi Germany (under Martin Bormann, Hitler having died of syphilis) takes over the east coast. The Californian lifestyle adapts well to its oriental master. Germany, although on the brink of space travel and the possessor of vast tracts of Russia, is teetering on collapse. The novel is multi-plotted, its random progression determined, Dick tells us, by consultation with the Chinese I Ching.

Also there seems to some horror writers represented including one of my favourite dystopian novels –

Richard Matheson: I Am Legend (1954)
Robert Neville is the last man standing, the lone survivor in a world overrun by night-crawling vampires. But if history is written by the winners, what does that make Neville: the hero or the monster? Matheson's pacey fantasy charts its protagonist's solitary war against Earth's new inhabitants and his yearning, ongoing search for a fellow survivor. The ending upends the genre's moral assumptions, forcing us to review the tale through different eyes. Clearly this was too much for the recent Will Smith movie adaptation, which ran scared of the very element that makes the book unique

Also inclusion of Micheal Marshall Smith’s debut novel ‘Only Forward’ is a good choice indeed -

Michael Marshall Smith: Only Forward (1994)
Before his current incarnation as a thriller writer specialising in conspiracy theories and psychopathic gore, Marshall Smith wrote forward-thinking sci-fi which combined high-octane angst with humour both noir and surreal. His debut features a bizarre compartmentalised city with different postcodes for the insane, the overachievers, the debauched or simply those with unusual taste in interior design; as well as adventures in the realm of dreams, a deep love of cats and a killer twist.

Read the full listing from Today’s Guardian here -

Part One

Part Two

Part Three

Sunday, January 18, 2009

1,000 Must Read Crime Novels from The Observer

The Observer is Britain’s Sunday edition of The Guardian which I read regularly, so I was delighted to find a wonderful supplement devoted to Crime Fiction, listing 1000 crime fiction novels that their editorial staff denote as ‘Must Reads’. The supplement with other crime fiction related materials is available online here

Photo Left Roger J Ellory [who made the Observer list] checking out Ali Karim's book purchases at Bouchercon Baltimore (c) 2008 A Karim

The supplement has a fine if somewhat esoteric introduction –

"When I heard 'Humpty Dumpty Sat on the Wall' at an early age," PD James once said, "I thought 'did he fall or was he pushed?'" The classic mystery story is about a crime already committed, a past event the investigation has to reconstruct. A thriller involves a future threat to Humpty — an enemy's plan must be stopped. A thriller's thrills are frequent, whereas a crime writer can get away with one corpse. It's obvious which genres the Agatha Christie whodunnit and the 007 spy novel belong to, but between them are sub-genres — courtroom duel, psychological thriller, suspense novel, crime caper, criminal-centred fiction — not so easily classified. Part two of this seven-part series tries to reflect as much of the crime spectrum as possible, as well as the regularity with which literary novelists have made evildoers their theme. The difference? The latter break genre rules, typically eliminating the hero who solves or prevents crime. And they usually write more stylishly; but the recent rise of the literary crime fiction epitomised by PD James has made that distinction less clear.

This supplement is a wonderful cornucopia of essays and insight. It begins with crime-writer Nicolas Blincoe’s assessment of Agatha Christie – of which he picks his best

And Then There Were None (1939)
The Mysterious Affair at Styles (1920)
The Murder of Roger Ackroyd (1926)
The Murder at the Vicarage (1930)
The Secret Adversary (1922)

The woman who would, one day, be known to practically no one as Lady Mallowan was born 10 years before the beginning of the 20th century, the unexpected and final child of F Alvah Miller, a wealthy American financier. Guess who? This is not the most obvious introduction to Agatha Christie, though it is true that her second husband, archaeologist Sir Max Mallowan, was knighted in 1968, three years before Christie received her DBE. Christie's style, of course, managed to be both misleading and illuminating. The more pertinent of the facts above are that she was a young writer when the century itself was young, and that her bright and breezy style is at least half-American. Christie fills her novels with archetypal English ornaments and trappings, skilfully disguising her debt to popular American writing - a trick perfected by her near-contemporary PG Wodehouse. Christie and Wodehouse were both first published in America, though Christie was sufficiently out of touch with American politics to believe that Ten Little Niggers was a suitable title for a novel. The Saturday Evening Post changed the name to And Then There Were None on pre-publication serialisation in 1939. Read More

The Guardian’s Thriller Critic, Matthew Lewin looks at the Hard-Boiled settling on the two James’ – Lee Burke and Ellroy –

James Lee Burke: The Neon Rain (1987)
James Lee Burke: The Tin Roof Blowdown (2007)
James Ellroy: LA Confidential (1990)
James Ellroy: The Big Nowhere (1988)

The novels of James Lee Burke and James Ellroy are about as far as you can get from English country house murders and studious police inspectors. But they are removed too from the earlier tradition of hardboiled writers such as Mickey Spillane and Dashiell Hammett. There is a fury and desperation in this new writing that touches on the violence and depravity of our time as well as the grace and beauty of the best in human nature and the physical world.

James Lee Burke emerged from a long barren period (one novel was rejected 111 times) when he wrote The Neon Rain, the first of the enormously successful series featuring Cajun detective Dave Robicheaux and the Louisiana landscape. His style is intensely lyrical, even elegiac, and he has a unique ability to let his readers feel, vicariously, the sights and sounds and smells and gathering storm clouds of his beloved New Iberia parish. Robicheaux is complicated and troubled, often unsteady in a world of shifting morality, and he shares with his creator a history of alcoholism.

James Ellroy's career as the "demon dog of US crime writers" was kickstarted by the unsolved murder of his own mother in 1958, an event that has underpinned his life and his writing. He has suffered clinical depression, alcoholism, homelessness and had more than a passing acquaintance with crime before he found, in writing, a rather more productive way of venting his anger and relentless pessimism. His writing style is often fragmented and staccato with an almost telegraphic simplicity, but the plots are complex and almost all deal with the uncomfortable closeness of crime and policemen.


Read More

Spy writer and Journalist Henry Porter looks at Le Carre and Eric Ambler

On the cover of my old paperback of The Spy Who Came in From the Cold is a quotation from JB Priestley's review: "Superbly constructed with an atmosphere of chilly hell." Both are true of one of the greatest spy novels ever written and the book with which the little-known young Le Carré, who had himself served in MI5 and was working for MI6 at the time of publication, superseded Eric Ambler, the author who had revolutionised spy fiction in the late 30s.

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Andrew Lycett, looks at Sir Arthur Conan-Doyle – which is apt as he has an eye for writers and creations who have reached societies zeitgeist.

A Study in Scarlet (1887)
The Sign of Four (1890)
The Hound of the Baskervilles (1902)

Arthur Conan Doyle alighted on the modern detective novel in haphazard fashion. As a young doctor, he juggled medicine and literature. When not attending patients, he turned out stories, often with a fashionable supernatural theme, for magazines such as the Cornhill.

After marrying in 1886, he felt he needed his name on the back of a volume. So, studying the market, he opted for crime
fiction - combining the sensationalism of Wilkie Collins with the sort of solo detective who had been attempted by Edgar Allan Poe (Dupin) and Émile Gaboriau (Lecoq). As Kate Summerscale showed in The Suspicions of Mr Whicher, the spectre of crime was looming. Conan Doyle added his own ingredient: a consulting detective who used empirical reasoning to solve crimes. A mixture of questing individualism and science: what could be more late Victorian?

His first effort, A Study in Scarlet, combined two yarns - a murder in London and a romance in Mormon Utah - in a thinnish revenge plot. Its USP was characterisation: the brilliant, laconic detective Sherlock Holmes forming an engaging double act with his dim flatmate Dr Watson. Additional story ingredients such as detail, atmosphere and tension were spot-on.


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Journalist, Broadcaster, writer and Harrogate Quiz winner - Mark Lawson looks at the work of the late Michael Dibdin –

Ratking (1988)
Dead Lagoon (1994)
Dirty Tricks (1991)
A Rich Full Death (1986)

Readers generally don't need to be detectives to work out where a crime writer comes from: the author of a Chicago-based series tends to hail from the Windy City, and so on. But in this, as in many other aspects of crime fiction, Michael Dibdin (1947-2007) was exceptional. Educated in Ireland and resident in Oxford and then Seattle, he set most of his novels in Italy, the vividly imagined homeland of the detective Aurelio Zen, whom he followed through 11 books that extended the geographical reach and literary quality of British crime fiction.

The series began with Ratking, which introduced a sleuth who, even by the standards of British fictional contemporaries Inspectors Morse and Rebus, was gloomy and self-loathing, increasingly uncertain that he should ever have become a policeman.

This mirrored Dibdin's own ambivalence about being in the crime section of the bookshops - one of his non-Zen novels was a vicious parody of an Agatha Christie novel - and, as the sequence progressed, he began to give less attention to ingenious puzzles and solutions and focused more on the true glories of the Zen stories: a sensual feel for both the positive and negative aspects of Italian culture; the beauties of the landscape, art and food and the ugliness of the politics and gangsterism.


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Ian Sansom looks at ‘unusual’ detectives

Rex Stout: The League of Frightened Men (1935)
Harry Kemelman: Friday the Rabbi Slept Late (1964)
Amanda Cross: Poetic Justice (1970)
Dashiell Hammett: The Thin Man (1934)

The first we hear of Mr Sherlock Holmes in A Study in Scarlet, he is reported to be beating corpses with a stick, to study the effects of bruising after death. After sharing rooms with him for a short time, Watson draws up a list of his roommate's very obvious failings: "1. Knowledge of Literature - Nil." Ditto his knowledge of philosophy and most other subjects. In his favour, Watson admits that he "Plays the violin well" and has an immense knowledge of "Sensational Literature". Holmes's apparent unsuitability for his role makes him the paragon of the unlikely detective.


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Journalist Alison Flood looks at the sharp end of crime-fiction – The books most stolen from Bookshops.

Then the serious stuff of listing the 1,000 must read novels starts and due to size is split into three sections -

1000 novels everyone must read: Crime (part one)
From Nelson Algren to Bret Easton Ellis
1000 novels everyone must read: Crime (part two)
From RJ Ellory to Ed McBain
1,000 novels everyone must read: Crime (part three)
From Cormac McCarthy to Emile Zola

So as no doubt there will be debate, my first question is - "Where the hell is Dennis Lehane?" and no doubt there will others equally contentious writers missing.

On the positive front; any article that promotes reading, debate and insight, especially in the crime and thriller fiction genre is to be encouraged - Thank you Observer